Farming brothers Pedro and Jaime discover the mutilated body of a cleaner in the woods, who, as it turns out, was on his way to a neighbor's house to kill a possessed man. When dealing with evil, you need to follow certain rules, so the brothers together with their neighbor Ruiz decide to take the infected far away and leave him there, but he disappears on the way. The next day a demonic force kills Ruiz and his pregnant wife, and the brothers go on the run. Pedro stops by his ex-wife's house to pick up the children, but brings the evil with him.

Japan, second half of the 16th century. Shingen, Takeda Shingen's younger brother, saves from death a petty thief condemned for execution who resembles the daimyo like two drops of water. The warlord opposes Oda Nobunaga and Tokugawa Ieyasu, all trying to capture Kyoto, so when Shingen is mortally wounded, he instructs his subordinates to conceal his death for three years so as not to demoralize his own troops or inspire his enemies. His double, the so-called kagemusha, enters the scene.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.