A mysterious client invites Craig, an architect, to his home, and upon arrival Craig has a strange feeling that this place is familiar to him, even though he has never been here before. It soon becomes clear that this is actually a nightmare, and to awaken Craig will have to listen to five terrifying stories from the people who have gathered there.
A new batch of prisoners is brought to a Nazi concentration camp run by the cruel Fraulein Ilse. The women are subjected to cruel medical experiments by Ilsa and her assistants, while the men are also subjected to cruel medical experiments. Ilsa tries each of them in bed. Ilsa's goal is to prove that women can endure more pain and suffering than men, which means they can be allowed to fight at the front.
During the construction of one of the London Underground lines at the end of the nineteenth century, a collapse occurred, and some of the workers, including women, were trapped under the rubble. After this incident, the construction company went bankrupt, and the unfinished line with bodies buried under the rubble was abandoned. However, some of the people survived, and their descendants have survived to this day in a rather feral state, eating... late subway visitors.
France, early 70s. Little Lucy, who has been missing for almost a year, is found wandering along a country road. The child is in a state of severe shock and cannot talk about what happened. A few years later, a girl with severe post-traumatic stress syndrome in the company of her friend breaks into the country house of a respectable middle-aged couple living with two teenage children. It seems that the girls have a long-standing grudge with this family.
Real estate agent Jonathan Harker is sent to Transylvania to the castle of Count Dracula, who has expressed a desire to purchase a mansion in Germany. Upon arrival at the count's castle, Harker signs all the necessary papers, but accidentally drops a locket with a photograph of his young wife Lucy.
The scientist Gustav Niemann admires the work of his colleague Victor Frankenstein and promises his cellmate, the hunchbacked Daniel, a new healthy body if they manage to leave the prison and find Frankenstein's manuscripts. Seizing the opportunity, they escape and immediately kill a passing Lumpini, who is driving around with his mobile "Room of Horrors". Blinded by a thirst for revenge, Niemann heads to the town where he was once sentenced to prison to not only exact revenge, but also to bring back to life the Werewolf Man and Frankenstein's monster buried beneath the ruins of the laboratory....
Wilbur and Chick transport two large boxes to a horror museum, one containing the body of Dracula and the other the body of a monster created by Dr. Frankenstein. The men decide to resurrect the two monsters, but the Wolf Man, the couple's eternal enemy, decides to stop them.
Determined to avenge his brother's death, the sheriff conducts his own investigation. He tracks down the Faerfly family and hires brutal killers, the so-called elusive couple, to take down the villains. The most brutal and sophisticated torture pales in comparison to the meat grinder that awaits the sheriff's enemies.
Jacob Singer returns to New York after being wounded in Vietnam. Tortured by memories of his son and the horrors of war, Jacob gradually loses his grip on reality. It turns out that his friend Louis is the only person James can count on. Things take a darker turn when he learns that his former coworkers are suffering from the same hallucinations.
When Rebecca left home, she thought her childhood fears were behind her. As a child, she was never sure what was real and what wasn't when the lights went out, and now her younger brother Martin is experiencing the same unexplained and terrifying events that once tested her sanity and threatened her safety. The frightening something mysteriously attached to their mother Sophie has reappeared. But this time Rebecca gets closer to unraveling the truth, and there is no longer any doubt that their lives are in danger as soon as the lights are turned out.
